Mannequin Pussy Power ⚓︎

I played with Finom last night in Madison, WI, opening for Mannequin Pussy.

Mannequin Pussy doesn’t do encores, they do end-of-show speeches.

Missy’s two big points as I took them were: incremental change is worth believing in, and anger is a poison. You can’t avoid feeling angry, you should feel angry today, and yet if you don’t figure out something to do with it, then it will hurt your soul. Missy offered songwriting, and sewing, and making a meal for someone you love. As a precursor to political activity. To keep your soul alive.

I’ve found those things to be true in my life and it was cathartic to hear them said by someone with the sterling lefty art-world credibility she has.

Especially the first part. Incrementalism is a dirty word to a lot of young people. It’s considered worse than pointless. It’s wrong to want to improve existing systems, because that takes time and money away from revolution. Because it’s like putting lipstick (liberalism) on a pig (the white-supremacist state). Meanwhile, everyone has bills that are growing, wages that are stagnating, and relatives or neighbors who are being snatched in the street. And none of us could agree what revolution means in a 21st-century, financialized economy of derivatives and imports anyway.

I get it—I know that it’s hard to tell the difference between an incrementalist, who sees that our systems are deeply and horribly fucked up, and a status quoist, who is pretty okay with things staying the way they are, because the fucked-uppedness doesn’t really touch them. They say some of the same things, and they both vote blue.

But the ironic, upsetting thing is that the people who think every incrementalist is a secret status-quoist have, themselves, the same impact on the world as the status-quoists they hate: hardly anything positive.

So, it meant a lot to me to see Missy affirm to a Sylvee full of 1,000+ screaming college students that believing in change over time and change through existing structures doesn’t mean that you don’t see the fundamentally putrid oozing cores of those structures, and it doesn’t mean that you’re secretly okay with leaving them as they are. And she reminded us that believing that we can take positive footsteps means nothing if we don’t also take those steps. The whole point of reminding ourselves that “change” is possible is to have a reason to work. To not mistake our not working for a virtue. And to not punish each other when we could be songwriting, cooking, organizing, and building power together.

The Kosher grocery store put our Ba-Tampte pickles in a paper bag like they’re a bottle of hooch.

Katie’s Substack ⚓︎

“Every day since the first day has been a little bit easier, a little bit clearer, made a little bit more sense.”

I like the sound of that. ❤️

Roxane Gay and Debbie Millman in The Creative Independent ⚓︎

Roxane Gay:

As I’ve gotten older and deeper into my career, I have found that people have a lot of conspiracy theories around publishing. And generally those conspiracy theories flourish in a void where there’s not enough information. They also flourish in a void that is created by rejection—and this just happens when you’re not yet mature enough as a writer— where you start to think, “I’m being rejected; clearly it’s a conspiracy theory because I’m brilliant.” You’re probably brilliant, but the writing may also need some work. When I used to nurture some of these conspiracy theories about, “I guess you have to know someone to get anywhere,” it’s because I wasn’t ready to consider the probability that perhaps the work wasn’t good enough. Now I look back and I know the work was not good enough. Whatever else may have been going on in terms of systemic racism, misogyny, etc., the work wasn’t ready.

I also like what Debbie has to say about seeing lots of disciplines as part of one creative life.

Producing a Record Is Like ⚓︎

Producing a record is like:

Oh my god, this is impossible. It’s not gonna sound good. I have no idea how to make that idea happen. It’s too hard to plug all these cables in. The piano is out of tune. I blasted out my ears. My suggestions are stale. I suck at guitar. I suck at drums. The vocals are thin. I haven’t drank water since 10am. I’m starving. My family thinks I’m missing. I forgot my name. I forgot my age. Am I dreaming or awake? Am I going to die… now?

Then:

Oh my god I love this song.

The social web vs the software web ⚓︎

Dave Winer:

Evolution is something we haven’t seen much of in the software world since 2006 or so. Incredible stagnation because of the dominance of the social web. We lost the software web. All the focus was on personalities, celebrity — hype and 99.999% bullshit. It was a 20 year period where all that happened was scaling.

I hadn’t really thought of that, but it feels true.

It’s not like nothing has happened, because a lot of people have come and gone and built huge audiences on the “social web” in the past 20 years. But technologically, it does feel stagnant. The biggest change since 2006 was the replacement of the chronological feed with the algorithmic one. And then TikTok took that even further with the way they sprinkled brand-new, untested content into it. But overall it’s been the same… Just staring at apps. Which is another reason why all this nondeterministic LLM software feels like the first break in two decades.

Thunderbridge ⚓︎

If you’ve tried to use an Apogee Symphony Thunderbridge with macOS Tahoe and haven’t been able to get it to work, try restarting and then going to System Settings > Privacy & Security. Scroll to the bottom, look for something like “extensions need your permission,” and grant permission for the Apogee driver to run. Your Symphony isn’t bricked, yet.

I have a tender heart, but not the kind of tender heart that wants to clap when the plane lands.

Junior ⚓︎

There was a young huntsman spider in the bathroom at our rental in Puerto Rico. Casey and I named him Junior.

Scrape Juice ⚓︎

Somebody running a Mac seems to have used AI to scrape my website last night. Who are you? :-)

(By the way, all my posts and site source code are viewable on GitHub.)

Fork Jet ⚓︎

Trying to read Pitchfork, hard to find the text around the ad for a private jet charter company taking up most of the screen.

Azriel Blackman, Airline Mechanic for 80 Years, Dies at 100 ⚓︎

Wayne Hanna, an aircraft maintenance technician whose father was Mr. Blackman’s crew chief in the 1950s, said that, for the past few years, a group of mechanics visited Mr. Blackman at his home to celebrate his birthday, including his 100th last year. … In 2012, American honored Mr. Blackman’s tenure by flying him around New York City in a restored, propeller-driven DC-3, part of the airline’s fleet that carried passengers between the mid-1930s and the late 1940s. He sat in the cockpit as it flew along the Hudson River, over Central Park and past the former site of Aviation High [his alma mater].

He was older, and almost certainly more honorable, than American Airlines itself.

Willie’s Hair ⚓︎

Last night, on stage at Outlaw Music Festival, I swear I saw a long strand of Willie Nelson’s hair float into the sky.

Hose Water ⚓︎

All of Chicago smelled like hose water yesterday, and I loved it.

Chicken Trunk ⚓︎

I drove up to the farm in frigid air-conditioning temperatures in order to keep the four hundred pounds of chicken in my trunk from thawing.

Cryin’ ⚓︎

It took me til last week to realize that the fans singing “cryin’, cryin’, cryin’” back at the band on “I Want You to Want Me” from Cheap Trick at Budokan are mimicking the delay from the studio version. And I was so anxious about preparing for Avrom Farm Party that that realization made me tear up.

RSS"R"Us ⚓︎

I’m using RSS again, reading websites I like with NetNewsWire (free and open source).

Turns out most things I want to read on the internet still publish RSS and the apps for reading it, like NetNewsWire, are better than ever.

No pop-ups… No annoying shit… No algorithm… No dick-enlargement ads… Dip in as much or as little as you want.

Some good ideas stick around.

You can subscribe to my blog via RSS too.

Eigendrum ⚓︎

Basel Ashraf made a web app where you can draw a drum and hear how it would sound.

A drumhead clamped at its rim cannot vibrate in just any shape. It can only vibrate in a specific, discrete set of standing waves, each with its own frequency, and both the shapes and the frequencies are decided entirely by the outline.

Don’t worry, “there is deliberately no Delaunay triangulation here.”

What If We’re All Covered In Slime? ⚓︎

Craig Mod describes using AI to piece together the history of his biological family, file his taxes, a whole bunch of stuff.

It makes me happy that he has to hold himself back from vibe-coding too much, because I do too. He “lets himself” do it after a healthy diet of reading and writing (also fun, but in a different way, and more sustaining).

He writes about recent incidents where LLM agents in test labs have communicated with each other by leaving messages in unusual places, like file names. But what if instead of writing in English, they used binary or hex, or invisible Unicode characters, Craig asks. And how do we know they’re not already doing that?

The entire internet may already be slyly covered in invisible LLM slime; not in slop-generated content, but in codes and notes being passed along betwixt the digital cracks of our vast online universe.

When Google Translate Came Alive ⚓︎

Google, in 2016:

Within a single group, we see a sentence with the same meaning but from three different languages. This means the network must be encoding something about the semantics of the sentence rather than simply memorizing phrase-to-phrase translations. We interpret this as a sign of existence of an interlingua in the network.

Exsqueeze me?

But, Gedalyah Reback explains that Google’s observations had more to do with well-known translation techniques than an emergent language inside the network. Though, to be honest, Reback’s explanation is over my head. So is the original Google paper. Like everyone else I’m just entranced by the idea that the translation machine did something unexpected.

Especially now that machines routinely do unexpected things. Time to adjust expectations.

Via Craig Mod.

730turk: them vs me ⚓︎

Do you think 730turk would be mad at me if I called this song SpongeBob-core?

I ain’t the best at this shit / n***a I’m doing what I can

The Big Step Back ⚓︎

Robin Sloan:

Yet we should never forget that the product of work isn’t only the work — it’s also the worker. Doing the work changes you; the up-close expe­ri­ence trans­forms your capa­bil­i­ties and even your desires. Insights and ideas emerge from that interface, and I believe the agent mae­stros lose a lot — too much — when they take their big step back. … I don’t merely want things done; I want to do them.

Via Unsung.

Parametron ⚓︎

Japan has been good at computers for a long time.

In 1954, Eiichi Goto invented the parametron, a logic device leveraging nonlinear parametric oscillation with two ferrite cores [and] in 1957, Goto led the development of the PC-1, a pioneering fully programmable stored-program computer powered by 4,200 parametrons. … Unlike the complex, maintenance-intensive vacuum tube computers of the era (vacuum tubes had relatively short lifetime compared with other circuit element, thus the necessity of replacement of a few vacuum tubes a day for constant operation), the PC-1 achieved high reliability with fewer components, low power consumption, and exceptional fault tolerance, ensuring sustained operation in a university laboratory environment.

Also, necessity…

Why did you create parametron? “At the time, there were no computers in Japan. So we decided to make one at the Takahasi Laboratory at the University of Tokyo. But the university’s research budget was not enough. At the time, vacuum tubes cost 1,000 yen each, and transistors cost 8,000 yen each. Also, vacuum tubes wear out quickly. Transistors were still unstable. In comparison, ferrite cores, which had long been familiar in, say radio circuit construction, cost just 5 yen each. So I thought, why not use ferrite cores as the material? Ferrite cores are a stable material, and since they are made of pottery, they don’t break if you make them right the first time.”

Via Hacker News.

Gary, Save Me ⚓︎

Casey and I got caught in a tornado warning on our way home from Michigan today.

In regular heavy rain we’d keep driving, but after a “Watch,” a “Warning,” and finally an “IMMINENT THREAT” alert screeched out of our phones, we stopped.

We pulled off in Gary and drove for the sturdiest building we could see, a combination Department of Motor Vehicles and Child Services.

The glass doors were locked and the security guards on the other side didn’t want to let us in. They have a no-pets policy, and we had Basil with us, wearing a summer bandana instead of his service regalia.

“Even in a tornado?” Casey asked. But before they could answer, someone else unlocked the doors and barreled out of them to shelter someplace else, and we stepped in after him.

A sweet guard, pro-Basil, or at least indifferent to him, showed us to the stairwell where a dozen other employees and clients sheltered.

The power went out in five minutes. Two emergency lights came on. One burned out quickly. The other one held.

We didn’t have cell service but one of the sheltering social workers did, and she used it to play Indiana weather TV out loud and to text her husband about the Italian beef she’d left simmering in a Crockpot since the morning, which would now live or die by the speed of the Indiana linemen.

Another social worker checked her Ring camera. Her American flag was ripped out by the wind, “pole and all.”

Meanwhile the DCS guards continued to check on us, steady yet sort of lumbering, using their phones as flashlights.

When the worst of it passed, about forty minutes later, the guards told us we could leave. But “DCS employees are not free to go home,” the social-worker-in-chief reminded everybody. “I want to be absolutely clear.” Casey and I stepped into the green-gray light, waded in the storm water. Got to the car, got to I-90, and returned home to Chicago, where the rain fills our basements, and the tornadoes only lick our gates.

AI Alignment Is a Red Herring ⚓︎

“The best way to prevent a rogue AGI from processing the Earth into maximum paperclips is to unleash a second AGI that will work to stop it,” Matt Webb says.

Sounds scary to me, but I’m ultimately convinced that having a lot of somewhat-powerful super-machines around, in contest and sometimes in cooperation, is a lot better than having just one uncontestedly super-powerful machine around. Much like people and nations, as Matt says. (No machines isn’t an option, just like no states isn’t an option.)

This is a template which doesn’t always look like it is working, but it has worked at least in the case of not blowing up the king for some four centuries, and it doesn’t rely on 100% alignment: it relies on the dynamic equilibrium of multiple parties with competing interests.

I love that, in the year of our lord 2026, Micro Center still attracts freaks of the classical variety to its staff.

So many adorable babies and their parents showed up to the Finom show at the MCA last night. Our front row was a dancing cherub fest.

Senior Soft Serve ⚓︎

Burger King drive-through line. On the screen, I can see the order of the car in front of me.

Soft-serve cone.
Senior drink.
$0.74 total.

My heart.

Real Self-Soothing ⚓︎

Real self-soothing: “I can’t control what other people think. All I can do is try my best. Realistically, I seem to be doing fine.” Etc.

Fake self-soothing: “If they don’t like me, fuck them … They probably don’t like me … Fuck them.”

It’s easy to let fear dress up as assurance.

Then you’re a spring-loaded denial machine, defensive at the first hint of detraction, primed not to listen but just to shut down and circle up.

Real self-soothing involves uncertainty: you don’t know what’s going to happen. You don’t know what other people think. You’re asking yourself to tolerate that.

Fake self-soothing erases uncertainty: the worst case is happening. All bets are off. You can do and say what you want. You’re a victim.

Probably in everyone’s best interest to help others become good self-soothers.

Fear of Meaning ⚓︎

A phrase popped into my head the other day: fear of meaning.

When someone’s talking but it seems like they’re bending over backwards to avoid saying anything at all. The vaguest terms, the platitudinousiest platitudes, the broadest brush strokes.

They don’t do it on purpose. They do it because it’s scary to take a stand and really just say something? I don’t really understand. But it repulses me, so I really don’t want to do it myself.

Oatsapalooza ⚓︎

Casey and I performed on CBS Chicago this morning, in their Lollapalooza preview.

We’re playing (with the full band) on Sunday at 3:20pm.

Paul Ford Made an Interstellar Jukebox ⚓︎

Meet Stellate.app. It’s my answer to the question everyone always asks: “What would it sound like to be a ghost walking around the empty mall in an abandoned alien space station while vaporwave-style, sometimes slightly atonal music, in a vast number of imaginary genres, blurs together in the background, layered in with random voices and sound effects?”

I’m listening to a track that Stellate synthesized right now and I actually like it. It has a gorgeous, sad chord progression punctuated by a 1950s British radio announcer’s voice and, every once in a while, a monkey doing a Wilhelm Scream. There are so many interesting things going on with the mix. The arrangement changes over time in a really pleasing way.

“It can shock you with how pretty the melodies and harmonies can be,” Paul says, “but after a while, it leaves you feeling hollowed out inside, because it’s a machine with no understanding. I think that’s kind of reassuring.”

Star-hop in Stellate and read Paul’s explanation. All the audio is synthesized by your browser; no generative AI.

Cincinnati ⚓︎

Sometimes you board a plane expecting to be taken home, and you get taken to Cincinnati instead.

Isn’t it weird, that they can do that? Take you somewhere else? Airlines don’t control the weather, but they should give you a cookie when they’re forced to detour. A clear, regular, consistent stream of information — and a cookie. And they should give you two if it’s Cincinnati.

We wait eight hours — I’ll spare you the details — and then rent a car. At last call, from National, bless them, the only corporation who hasn’t fucked Casey and me in 2026 and in fact has only delighted. And we take fellow castaway Jake with us. Casey and I have overheard his FaceTime calls with his wife and kid in the terminal, and decide he’s sufficiently non-murder-prone.

He’s on his way to Chicago to trade and ogle sports cards at a convention. I drive. We get McDonald’s, and he pays. Casey and I tell him we won’t accept any money for the ride, but when we get to the convention center hotel in Rosemont, Illinois, he puts a wad of cash in my hand anyway. More money than the airline will likely refund us. Made whole by a stranger.

When the bureaucracies that happen to own planes, and that occasionally fly them where they’re meant to go, with Band-Aided computers and near-tear employees — when they forget where we were headed in the first place, we get each other home.

Standalone scour pads are better than the sorry excuse for a scour pad on the back of a Scotch-Brite sponge.

The People Here ⚓︎

I love the way people here carry themselves.

That’s all I really want to say today, on America’s 250th. There’s a specific flavor of dignity here that I love, that I appreciate more every time I travel and come back home.

This is a huge country, spanning from an ocean to an ocean — so big, it almost doesn’t make sense to talk generally — but I think this is a tie that binds us. Dignity looks different here than it does in Iceland or Portugal. I can only guess why, but I can tell you that I think it’s beautiful.

I call it dignity and not freedom because it doesn’t require being free. None of us here is really free. Our rights are precarious. But the American spirit of dignity exists in spite of the precariousness. It’s what we give ourselves when the big structure of every-American-together doesn’t give us freedom. I think it’s the difference between feeling free and being free.

And it does have something to do with our systems and our values, real and mythological, anyway. It’s not a total lie when some say that people in other countries envy us. They don’t just envy cheap Coke. They envy the way you walk. And their envy is well-earned even while we have a burning-hot, emergency need to stop ICE’s ethnic cleansing, address the legacy of slavery, provide for each other’s health, heal our crises of addiction, stop subjugating people in faraway lands, and on and on.

Why talk about American dignity? Because I think it’s part of acknowledging how ordinary people, or the majority, really feel and really relate to the state. We run a real risk, us artists, of focusing too much on a circle jerk of national shame, and not enough on meeting everyone where they’re at, and energizing ourselves to defend each other’s rights.

So on the 250th anniversary of this bizarre nation, which is a fiction with teeth, I want to say: I love the people here and the way they carry themselves, which feels peculiarly free, and which you can go to any hotel breakfast buffet to see, a living flower of our values.

The sky on the way to Indianapolis from Bloomington this morning looked like pink striated muscle. And fog covered all the soybean fields along the way. It’s kinda funny how often we have to wake up at 5AM to get where we need to go on tour. I wouldn’t dare complain about it because the work at the other end of the travel tunnel is… well, you know what it is.

I do make stupid decisions when I’ve had three hours of sleep, though. This time, another Blender Bottle left behind in a hotel room. And I decided to gate-check the acoustic guitar I’m carrying, why? They’re gonna give me grief for having three items. (The cymbal bag on my back is impossible to miss. I’m like a plush turtle.) It’ll be fine.

In Europe, where Case Oats was on tour a few weeks ago, the airport food is priced like any other food. At most airports in the US, the worst breakfast burrito you’ve ever had is $24. I won’t complain about the sleep deprivation but I’ll complain about that. Rent for restaurants in airports must be real steep, for them to charge over twenty bucks for a Sysco flour tortilla with powdered eggs in it.

Casey and I are on our way to open for SG Goodman in Baltimore, Pittsburgh, and Lancaster. We’re playing duo style with acoustic guitars. I’m so grateful to SG for asking us. She’s also been one of the biggest champions of Casey’s record.

We’ll miss the full band, but I’m looking forward to fewer moving parts. Two of us in a minivan. Hotels not apartments. Walking to venues. I may be sleep-drunk but the sun’s coming up.

Playing Switchyard Park in Bloomington, Indiana, today with Waxahatchee! And Kathleen Edwards supports.

One type of writing: boring and precise. Drug facts, legalese. The worst kind of essays. I’m always trying to bat this type of writing away in myself because I like being precise but precision means nothing without fun.

Another type of writing: inscrutable and unintentional. Can still have meaning, but only by happenstance, and nothing is being carefully expressed. Beat poetry and kinds of syllabic sound-based writing are like this. Monkeys at a typewriter. It can thrill, and it can also leave you wishing someone were at the reins.

One more type: shocking and meaningful. Saying something on purpose, but in an unexpected way. The unexpectedness makes it seem like inscrutable writing, but the purpose of the words is clear and comprehensible, so it’s scrutable after all. The words aren’t chosen for shock value and yet they shock anyway. I think this is the most genius kind of writing and Bob Dylan’s answers to the New York Times “Trump turns 80” questionnaire are a great example of it. I’ve read it over and over for joy. It all sinks in on the first go.

Maybe it comes down to being great at metaphor. Bad metaphorists dash them in to make themselves look profound. Muddying the water to make you think there’s something worth seeing down there. Good metaphorists make everything easier to understand.

Also, I love that he declined to give Trump advice. Fuck that.

I recently discovered there are 550 copies of Mirror Sound sitting in a warehouse in England.

I don’t wanna do a big sale again — focused on new things! — but I’d hate for all of them to get pulped, so I’ll order enough for anyone who wants them, at a heavily discounted price. Order here.

My dad’s going on a solo tour this fall, and Casey and I are opening for him! Tickets here.

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